![]() ![]() Children are often very curious and may want to join in. ![]() Remember the majority of people do not practise drawing and will likely be full of admiration for your work. Let people see what it is you are drawing. If you do attract an audience, be positive, open and honest. It is always useful to sit with your back to a barrier, hedge or wall as at some point you will find that you are the centre of attention and this helps to prevent people looking over your shoulder. You need to position yourself so that you have a fairly uninterrupted view. Look for sites where you can easily observe people, like a market, café, bar or beach. With these captured snippets you will be able to construct an informed composition and one that appears to be a moment in timeĭrawing human activity in specific settings requires some preparation. By a process of acute and careful observation, watching people, animals, machinery and light move, you will learn to be patient and stalk visual clues. Whilst observing a vast array of human activities, you should be able to develop unique drawing skills and the ability to watch, record and reconstruct a moment in time. These two exercises will help you to place the drawn figure within a relevant context. These images will be of great interest to those you meet whilst drawing. If you are travelling to a distant location, it is a good idea to take with you some photographs and drawings of your own surroundings. The book becomes a familiar object, a manual to receive evidence of your experiences. This preparation not only begins to inform your intended travel experience but also productively uses the first pages of the sketchbook. You might draw maps and make historical notes about the places you plan to visit – it can be very useful to include common linguistic phrases if travelling in a foreign country too. Some of the pages can be prepared in advance. If so, you should keep notes of your experiences and events as in a diary. You may want your sketchbook to become a visual journal. Underpinned by previous exercises, the drawings will not only be an aide-memoire in support of your visual memory but will also be a rich source of images captured and recorded whilst on holiday and travelling. This exercise is primarily concerned with the process of drawing people in a variety of locations that one might experience whilston holiday or travelling – for example, cafés, bars, market places, and historic sites. To explore these processes, spend approximately 15-30 minutes on each drawing, although while on holiday and travelling these drawing times will vary greatly from a few minutes to hours, suiting your itinerary and complexity of subject. Link copied to clipboard Can’t bear to leave your sketchbook at home? Jennifer Whiskerd introduces two exercises designed to boost your confidence when drawing people and places whilst on holidayÔªø
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